Sir Richard Steele (Isaac Bickerstaff; 1672–1729) was a prominent man of letters during Queen Anne’s reign, inseparably linked with Joseph Addison, with whom he founded The Spectator. A drinker and man-about-town, he was also the author of a moralist pamphlet, The Christian Hero, for which he was ridiculed. William Thackeray characterized him in The History of Henry Esmond as Dick the Scholar, Henry’s warm, talented mentor. Steele was appointed governor of Drury Lane Theatre in 1714 and knighted in 1715. Plays included The Funeral; The Tender Husband; and The Conscious Lovers, one of the eighteenth century’s most popular.

Of Companions and Flatterers

An Essay

by Sir Richard Steele

An old acquaintance who met me this morning seemed overjoyed to see me, and told me I looked as well as he had known me do these forty years; but, continued he, not quite the man you were when we visited together at Lady Brightly’s. Oh! Isaac, those days are over. Do you think there are any such fine creatures now living as we then conversed with? He went on with a thousand incoherent circumstances, which, in his imagination, must needs please me; but they had the quite contrary effect. The flattery with which he began, in telling me how well I wore, was not disagreeable; but his indiscreet mention of a set of acquaintance we had outlived, recalled ten thousand things to my memory, which made me reflect upon my present condition with regret. Had he indeed been so kind as, after a long absence, to felicitate me upon an indolent and easy old age, and mentioned how much he and I had to thank for, who at our time of day could walk firmly, eat heartily and converse cheerfully, he had kept up my pleasure in myself. But of all mankind, there are none so shocking as these injudicious civil people. They ordinarily begin upon something that they know must be a satisfaction; but then, for fear of the imputation of flattery, they follow it with the last thing in the world of which you would be reminded. It is this that perplexes civil persons. The reason that there is such a general outcry among us against flatterers is that there are so very few good ones. It is the nicest art in this life, and is a part of eloquence which does not want the preparation that is necessary to all other parts of it, that your audience should be your well-wishers; for praise from an enemy is the most pleasing of all commendations.

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